Posted by: Lee Klingenberg | September 24, 2008

Other nations

Anyone who has read some of my previous posts would most certainly come to the conclusion that we very much enjoyed and loved our dogs. They were truly part of our family life. For as long as I can remember I’ve felt an affinity towards animals, particularly when it comes to wild birds. Watching and hearing Canadian geese high above on a chilly fall day or seeing all the activity at our bird feeders in winter eventually prompted me some years ago to take a home study course in Ornithology from Cornell University. I was fascinated reading about the migratory habits of these songbirds and how some of the ones I was watching were indeed possibly ones that had been there the previous year! It wasn’t long before I joined the Audubon Society and made two October trips to Hawk Mountain Sanctuary in eastern Pennsylvania to observe the annual hawk migration southward along the Appalachian Mountains. Watching those magnificent birds, and actually being able to look down on the backs of some of them, gave me an incredible sense of peace and wonder.

One of the most interesting books I have ever read concerning the natural world was written in 1928 titled The Outermost House by Henry Beston. This enduring classic is the chronicle of a solitary year of life in a small cottage on the Great Beach of Cape Cod. Written in longhand on a kitchen table, it tells of the ceaseless rhythms of wind, sand, and ocean, the migrations of birds – the events of a passing year. In a 1964 ceremony on the dunes, the Outermost House itself was officially proclaimed a National Literary Landmark. Unfortunately, a massive winter storm in February 1978 swept the house off its foundation and out to sea. The following excerpt from Beston’s book has been printed in poster form, one of which I had framed and now hangs in my studio. Enjoy!

We need another and a wiser and perhaps a more mystical concept of animals. Remote from universal nature, and living by complicated artifice, man in civilization surveys the creature through the glass of his knowledge and sees thereby a feather magnified and the whole image in distortion. We patronize them for their incompleteness, for their tragic fate of having taken form so far below ourselves. And therein we err, and greatly err. For the animal shall not be measured by man. In a world older and more complete than ours they move finished and complete, gifted with extensions of the senses we have lost or never attained, living by voices we shall never hear. They are not brethren, they are not underlings; they are other nations, caught with ourselves in the net of life and time, fellow prisoners of the splendour and travail of the earth.”

Posted by: Lee Klingenberg | September 14, 2008

A time to weep…

Folks that know better would never think of me as a student of the Holy Bible but there are several passages which I’ve always enjoyed and have brought me solace in times of stress. I thought of opening this post with a part of one of my favorites, Ecclesiastes 3:4. “To everything there is a season, and a time to every purpose under the heaven: …. A time to weep and a time to laugh; a time to mourn, and a time to dance; ….” It seemed appropriate to begin this way in order to discuss an emotional issue that had affected my family, several times over, as well as close friends and millions of others; the death of a pet and letting go.

July 1970 was another life changing experience as we moved into our new home about 35 miles away from where we spent our first seven years together. New neighbors, new surroundings, and soon…. new family members. We realized that we’d better get busy seeing as how three of our neighbors had five kids and at least one dog! (Was there something in the water around here?) Well, a year later, in October, our first and only child was born but before that event, after an attempted break-in to our house, we saw fit to get a four legged burglar alarm. Now, my wife had been raised with several dogs while growing up; bulldogs and Boston bulls whereas a few occasional alley cats where my boyhood pets. I was pushing to get a 500 lb. German shepherd but she calmed me down and we settled on… a boxer! Molly became the first of three boxers we eventually owned over a period of 28 years but, unfortunately, she only lived for four years and died from stomach cancer. Next up at bat was Boots, who lived for 14 years and also died from the same malady! After 18 years of living with this lovable breed , there was no question but that we’d get another boxer and soon Sammy (Samantha) entered into our lives. Losing the first two dogs was painful enough but nothing compared to eventually losing Sammy. Of our three dogs she was the most regal as the accompanying image shows in a portrait I did of her sitting with that look, “Well, what have you done for me lately?” I titled this painting, “Samantha Regina.”

I had started my business working from home several years after Sammy became part of our family and soon realized how lonely it sometimes can be on your own but noticed early on what a wonderful companion she was becoming throughout the day! At my previous job, the hours were long and I never really got to know or enjoy our other boxers as well as I came to know this character. She had a big red plaid bed that we ordered from L.L. Bean which was close by my drawing table and the back door. If I wasn’t away meeting with customers then taking her outside for a romp twice a day was a treat for her and me as well. Fortunately, we have a good size yard that she was able to tear around chasing squirrels with about a foot of frothy tongue trailing in the breeze. Luring her back into the house wasn’t always the easiest task but a handful of doggy treats usually did the trick and soon she was back snoring away contentedly dreaming whatever happy boxers dream about. Besides eating and needing to go outside, there were only two things that usually woke her up. One was my turning the air blue on account of a frozen computer which immediately prompted her to scamper upstairs, ears back with a wild-eyed look on her mug. The other was my wife returning home from school where she taught. Sammy could actually detect the sound of the car coming down the driveway and by the time the garage door went up, she was standing at attention ready to receive guests! Jane would come into my office and sit across from me to discuss the day’s events and Sammy would march over, sit between us facing me, as if to say, “Who’s this?” Priceless moments.

Looking back over the years, there are far too many good memories to recall here but probably some of the most enjoyable times were walking up the road on a snowy winter’s evening with huge snowflakes swirling around us. She would race up and down the road, sometimes slip and roll in the snow and just have a ball doing it. There was a large empty lot across from us with a huge stand of trees that always reminded me of Robert Frost’s poem, “Stopping by Woods on a Snowy Evening.” They had a spooky look about them and it was comforting to look down the road and see the twinkling lights in the neighborhood. There’s a house built on that lot now blocking the view of those woods so guess good things can’t last forever. Speaking of which, three years later Sammy’s tumor was discovered.

After her surgery, there was a distinct change in her demeanor. She seemed much more dependent on us and would become upset when left alone. For various reasons we really had not had the chance to get away for some time so we decided to chance it and board Sammy for the weekend. Upon returning there was a message to call the kennel immediately. Our worst fears were confirmed; Sammy had died early Easter morning. We never knew exactly what happened to her but I went on a self imposed guilt trip for a long time convinced she passed away with a broken heart. No way to prove that, of course, but I couldn’t shake that feeling.

People often ask if we’re going to get another dog but after a short passage of time other activities started to fill the void. Jane’s retirement afforded us more time to travel, board commitments, ballroom dancing, and soon… two lively grandsons who have become the joy of our lives! Those were wonderful times for us, particularly the ten years we enjoyed Sammy, and the memories will always be there. They have become permanent images woven into the tapestry of our lives.

Posted by: Lee Klingenberg | September 8, 2008

Walking with a painter

Fishing with a painter” may have been a more appropriate heading for this post along with this image of a watercolor I painted in 1988. Titled “Pike Alley” it has remained a favorite of mine and was done from a number of slides I took while on a fishing trip to a remote Canadian lake 32 years ago. There was a real brute lurking under all that sunken timber and he was still there when we left! Ahhh, Canada! Prints of this painting are available.

Go out to walk with a painter and you shall see for the first time groups, colors, clouds, and keepings.”

Many moons ago I came across this quotation attributed to Ralph Waldo Emerson and have used it extensively in my marketing materials. Unfortunately, my source has vanished but probably is buried somewhere about nine strata down in this compost heap I call an office/studio! A librarian in Hawaii once emailed me on behalf of one of her patrons who as an avid Emerson fan, was unfamiliar with this quotation, and was questioning as to where I may have read it. I’ll be eternally grateful if anyone out there has a clue to its validity. Any takers?

So, what can we derive from “Emerson’s” quotation? I think he’s trying to say that artists are more constantly “visually attuned” to their immediate surroundings, certainly in my case it has led to near disasters! I can’t count the times my wife and I would be out for a drive, particularly on a country road, and I’ll be distracted by a red-tailed hawk flying overhead or a wonderful old barn just sitting there waiting to be turned into some mouth watering watercolor. As I drive off onto the berm or over the rumble strips she usually gets my attention by saying that, “One of us had better drive!”

Posted by: Lee Klingenberg | September 3, 2008

Field of dreams

The painting of this English Setter (Rusty) in his field of dreams was done purely as an exercise on my part and not a commissioned portrait. It most assuredly is not for sale! Why? Because I used several source materials for reference while attempting to portray this regal bird dog on point ready for action. Early on, when I was drumming up business for my portrait work, I would use this demo as an example of the kind of projects I felt could be accomplished given the chance with my recent entry into the world of animal portraiture. I’m not a hunter but have always thought the setter breeds were truly magnificent looking dogs.

Now, with all that said, artists creating an “original” work of art using another person’s photo or artwork and then attempting to sell that art has always been a burr under my saddle and I’ve seen that cute practice put into play more times than I care to remember. When I was an art student, some fifty years ago, it was acceptable to try and copy the works of old masters in order to help understand color and composition. But, it was understood that this method of instruction was left at school when we ventured out on our own. Sadly, this has not been the case with a lot of artists.

In the watercolor classes I’ve conducted over the years, I usually tell the participants that it’s okay to bring in family or vacation photos as subject matter but limit it to using their own material. There is a world of difference between being honestly creative vs. being a world class copier.

Posted by: Lee Klingenberg | August 29, 2008

It’s raining cat(s) and dogs!

Okay folks, for a change of pace, today I’m featuring the one and only cat portrait I’ve ever done. Ladies and gentlemen…….. heeeere’s Cindy! This portrait of a Bombay was completed four years ago for our son-in-law’s father (does that make him an outlaw?) as a gift from him for Mother’s Day. I say Bombay because he wasn’t sure of the breed and after researching the Internet felt that her characteristic coat and eye color came closest to the Bombay breed. If anyone out there wants to debate this issue, be my guest!

Along with supplied photos from satisfied clients, I always spend time researching the breeds of the animal I’ve been commissioned to paint and in this particular case, attempting to capture the essence of a jet black cat, it proved very beneficial. Painting a black animal is very challenging and after two miserable failures (remember this is a watercolor!) felt that I finally nailed it! My “outlaw” friend told me to “Just splash some black paint on paper and stick two yellow blobs in the middle for eyes”! An easy way out, for sure, and I knew he was kidding but the gauntlet was thrown down and I ventured forth once again.

As with all good portraits, there is a cool side and a warm side and the trick was to make this technique work on a dark subject. Fortunately, in my collection of reference material is a series of books titled, “Masters of the Wild,” published by Briar Patch Press 20 years ago. One of these fantastic books features the paintings of Robert Abbett who spent his commercial career as an illustrator and started painting oil portraits, primarily of hunting dogs, when he retired. His paintings of Black Labs and Gordon Setters served me well as a guide for this project and other assignments. I emailed him several years ago about my pending retirement and attached a few images of dog portraits hoping he would respond. Ahh, I thought, what are the chances of someone of his caliber ever getting back to me? Holy smokes! The very next morning there was a long complimentary response from him about my work and future plans and how glad he was that I was going to pursue my artistic endeavors in retirement! WOW! MAKE MY DAY!

Encouraging words like that of Mr. Abbett and others have helped prompt me to start this blog and my intentions are to post items of interest at least twice a week. So, stay tuned and have a great and safe Labor Day weekend!

Posted by: Lee Klingenberg | August 26, 2008

A little background music

I have always loved to draw.

Some of my earliest recollections are of sitting at the kitchen table copying cartoon characters from comic books. But usually when warm weather rolled around, I’d cut out for the woods that stood on the opposite hillside of the farm that bordered our neighborhood. We called them Sherwood Forest and it was a fun filled world for us merry men of yore. On part of that rolling farmland, behind our houses, we would play a rather loose version of football and baseball. The dried cow pies made excellent bases! Those distant summers bring back a lot of fond memories. I really enjoyed all the roughhousing but my lack of athletic ability usually earned me more bruises than victories. So, it was back to the drawing board where I could lick my wounds and concentrate on my sketching and painting.

Saturday mornings eventually meant a trip to the Carnegie Museum’s Tam O’ Shanter art classes and in later years dad would drive me across Pittsburgh to take painting classes at various art schools. My father told me that my artistic ability probably came from his father who was an accomplished artist and spent most of his career in the Atlantic Refining Company’s drafting department where he designed labels for their oil products. I’m sure my interest in graphic design also stemmed from his influence.

From the start I had a great appreciation of watercolors. The paintings of my godfather, Lee Thorne, an architect and my father’s best friend, were an inspiration. Lee’s watercolors fascinated me with their deft strokes and bold colors. Unfortunately, those paintings were lost years ago, but they had a lasting impact on me. It wasn’t until years later that those old stirrings bubbled to the surface and began to flow out of my own brushes.

Immediately following my discharge from the U.S. Marine Corps in late August 1958, I enrolled in the Art Institute of Pittsburgh to prepare myself for a career in commercial art. Finally, I was on my way to putting some practical structure to my artistic yearnings.

Over the next couple of years, the person who exerted the most influence on me was Vincent Nesbert, the dean of the school and an extraordinary artist who taught life drawing. Most of the students were kids fresh out of high school in whom he strived mightily to instill his wisdom, sometimes in the most bizarre and humorous fashion. However, there were a handful of us “seasoned” veterans that he viewed with disdain, particularly when we’d get a bit rowdy while attempting figure studies. He would cut us off at the knees with a verbal machete and then stand there, quite pleased with himself, with a huge grin on his broad face. “Cockroaches” was the endearing term he usually reserved for us.

But the horseplay came to an end whenever he would demonstrate his vast skills in drawing and painting the human figure. Without doubt, he was the most incredible artist I have ever met! Watching him execute form and color was like a religious experience and I’ll never forget him. He would pepper his lectures with expressions that we all found hilarious at the time, but many of them were based on his strong convictions of what made a fine artist and they have helped keep me in good stead throughout my career as a graphic designer and as a painter.

Other artists whose paintings influenced me are Jan Vermeer, John Sell Cotman, John Singer Sargent, Winslow Homer, N.C. Wyeth, Edward Hopper, Rowland Hilder, Ted Kautzky, John Pike, Philip Jamison, and Frank Webb. More recently, Tony Couch, Jeanne Dobie, and Stephen Quiller have heightened my fascination with color.

Posted by: Lee Klingenberg | August 25, 2008

Watercolor portraits: treasured keepsakes

Shown here is a portrait of Asta, a Wire-Haired Fox Terrier. This was one of three commissioned portraits of her and tomorrow I’ll feature another one when she was a puppy. These examples are typical of my work and all are 10” x 14” watercolors done from reference material people would bring me – photos and written descriptions – plus my researching the breeds on the Internet. If interested, please contact me and I’ll send a pdf with details and pricing. Besides animal portraits, my commissioned assignments have ranged from house portraits, college campus scenes, favorite family vacation retreats, and executive retirement gifts. I will be posting examples of those paintings in the near future as well as a selection of paintings and prints for sale. As always, thanks for visiting and have a super week!

Posted by: Lee Klingenberg | August 22, 2008

A new chapter in an artist’s life

“Afoot and light-hearted I take to the open road, Healthy, free, the world before me, The long brown path before me leading wherever I choose.” So begins “Song of the Open Road” from Walt Whitman’s classic book, “Leaves of Grass.”

Well, this begins my foray into the blogging world with my first posting today. Shown here is our beloved boxer, Sammy, who passed away 12 years ago. My commercial art career was made a bit saner by painting watercolor landscapes during those 47 years and awhile back ventured into animal portraits, primarily of dogs. I will be putting up additional images of my past commissions so stay tuned and thanks for visiting.

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